SubHoles

Jun 19

ffffffound:

To release the truth within us, to hold back the night, to transcend… - but does it float

(Source: sandman-kk, via yellowblog)

notesondesign:

Arne Jacobsen

(via larameeee)

cavetocanvas:

Grace Hartigan, The Massacre, 1952

From the Kemper Museum of Contemporary Art:

Hartigan was part of New York’s Abstract Expressionist movement during the 1950s. Hartigan’s gestural paint strokes are an excellent example of the physical nature of the Abstract Expressionists’ painting style. By the late 1950s she had become well known and was the only woman included in the Museum of Modern Art’s exhibition The New American Painting, which traveled to eight European countries.

(Source: mysticcorner, via issafly)

handa:

A touch of light, a photo from Yazd, East | TrekEarth

(via yellowblog)

asiadreaming:

nan sheng | 南笙

(via a-zathoth)

melisaki:

Garage Doors

photo by Max Yavno, 1947

(via insidewarp)

Jun 16

lindeneller:

down home

(via an-itinerant-poet)

yanshee:

Urbex: Maison Romaine 12

Abandoned house somewhere in Belgium.

More on my deviantart account.

(via blahxxx3)

arsvitaest:

“Rain at Maekawa in Sagami Province”, from the series Selected Views of the Tōkaidō Road

Author: Kawase Hasui (Japanese, 1883-1957)
Date: 1932
Medium: Color woodblock print
Location: Museum of Fine Arts, Boston

(via yellowblog)

art-blag:

Alma Thomas
Spring Grass
Acrylic on Canvas
59 5/8 x 54 1/2 inches
1973

(via tutshie)

“フレームワークという用語を定義する枠組みが必要ですし、メソッドを理解する手法も求められています。またアーキテクチャの構造も大事です。” — 某所より。ネタです。 (via tsukamoto)

(Source: soda.oki.com, via yellowblog)

o1nichols:

Owen Nichols

Panorama

Jun 14

fuckyeahbrutalism:

St. Luke Protestant Parish Center, Mannheim-Neckarau, Germany, 1965-66

(Carlfried Mutschler)

(via visceralontology)